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With her came her husband, a corpulent man, with red cheeks, large hands and feet, white eyelashes, and a smile which never left his thick lips.

Then came Marfa Timofeevna and Liza, and after them all the other members of the family.

Perhaps the best effect in this line, that I have seen, was on one occasion when a Spirit had retired within the folds of the curtain, but apparently immediately reappeared again at the opening; she had been habited somewhat like a nun with white bands and fillets around the head and face; thus, too, was she clad at her reappearance, but, as I sat quite close to the Cabinet, I perceived that the figure was composed merely of the garments of the former Spirit, and that there was no face at all within the head-gear.

At times, when the Spirit is wholly within the Cabinet, and visible only through the parted folds of the curtain, the semblance of a gradual sinking is obtained by simply uniting slowly the two folds of the black curtain, beginning at the head and gradually closing them down to the feet; the room is generally so dark that the dark curtain is indistinguishable at a little distance, and the effect of slowly falling is admirably conveyed.

It is strange how the whole humor of the thing, and the separate humor of each individual character, vanishes the moment I try to grasp it and describe it; and yet there really was fun in the spectacle as it flitted by-for instance, in the long line of carriages a company of young men in flesh-colored tights and chemises, representing a party of girls surprised in the midst of dressing themselves, while an old nurse in the midst of them expressed ludicrous horror at their predicament.

One wonders, however, that the scene should not be even more rich and various when there has been so long a time (the immemorial existence of the carnival) to prepare it, and adorn it with shapes of gayety and humor.